An army of Lego Classicists is ready to conquer social networks

Adults and children alike, they know LEGO; however, the enthusiasts of the classical world in particular should take advantage of social networks and not lose sight of the LEGO CLASSICIST project. The project was conceived from an idea of Liam D. Jensen, aka The Lego Classicist, an Australian archivist. An army of classicists is now conquering the web and the scholars of the ancient world as well, thanks to a perfect mix of pop art and ancient history.

As revealed by Liam himself, everything started by chance. The idea of recreating the Classics via the LEGO bricks surpassed all expectations. It has been a celebration of the ancient world and, above all, of the work of many scholars that love their job and allow us to know history and archaeology as much as possible, even if they have been working for different organisations and in different fields. Liam uses social networks in an innovative and inclusive way, and announces a new member of the LEGO Classicist family from time to time.

Liam at work, creating one of his LCs. Photo © Liam D. Jensen

In a short time, and thanks to the crowd of people being intrigued by the initiative, the project has become an international one. The power of communication also goes through gaming and the capability of breaking down barriers, which is typical of the renowned LEGO figures: they have gained such a huge popularity worldwide because they are able to create scenarios and adventures that are always fresh and diverse. Many important public figures joined the LC family, among them there is Mary Beard, whose minifigure has become viral to the point that even the BBC talked about that, and she also appeared on the prestigious German archaeology journal Antike Welt, on SALON, the newsletter of the Society of Antiquaries of London, and at the University of Cambridge. Mary Beard herself then used her minifigure during her tv show, Front Row Late.

Presently, Italy may boast three LEGO minifigures, based on important scholars: Alessandra Giovenco, an archivist from the British School at Rome, professor Massimo Osanna, archaeologist and general director at the Archaeological Park of Pompeii, and professor Giacomo Pardini, an archaeologist and numismatist, professor at the University of Salerno. Therefore we asked Liam, so that he may tell us more about his project and on the subject of some of the most significant characters involved.

LEGO CLASSICIST
From left to right: Alessandra Giovenco, Massimo Osanna and Giacomo Pardini. Photo © Liam D. Jensen

When and how was the Lego Classicists Project conceived?

The first Lego figure that went on social media was on the 20thFebruary 2016, but it was not until there were over 3 figures that I came up with the name Lego Classicists and made a Facebook page for them. That was really when it was born.

How many classicists does it include? Are there various or unique types or scholarly specialisations being included?

There are now over 90 in the LC family and I mostly choose scholars directly in the classical discipline but I also like to push outside of these to other ancient world disciplines (such as Egyptian) and I include anyone whom I feel brings support to the study of history, such as Conservators, Librarians and Archivists.

Who was your first character?

Technically the first figure who was made almost by chance is Dr. Tom Hillard, who is a Roman historian and an old friend of the family. But the one who - for the first time - made me start creating them on purpose was Michael Turner, who was the curator and master-mind of the three famous Lego ancient world models that include Lego Pompeii and Lego Colosseum, so I consider Michael to be the first official figure, as he is the real inspiration for the Lego Classicists family.

Starting from Australia, you conquered the world of classicists. Would you have expected such a great interest?

I had absolutely no idea that it would reach the world like this as it really started as just gifts to my friends, but I am so pleased to be inspiring the whole world of Classics in this fun new way.

LEGO CLASSICIST

Italy is being represented by three characters. Could you please tell us about them?

Massimo Osanna and his LC alter ego

Prof. Massimo Osanna’s figure was a request by the Nicholson Museum, Sydney University, when they asked me to make a personal gift for Prof. Osanna and a second one to be placed into the Lego Pompeii model that is still in the Museum today. It was delivered to Prof. Osanna in person at Pompeii by two academics from the University of Sydney.

Alessandra Giovenco is the Archivist at the British School at Rome and I had the very great pleasure of meeting her in my role as an archivist when I delivered a collection to the BSR in 2016.  Our daily conversations together inspired me to bring her into the LC family and I asked the Director of the British School at Rome to give it to her in person on my behalf.

Giacomo Pardini and his LC

Professor Giacomo Pardini had tagged me into a photo with a Lego figure of himself made by his nephew with the words “Almost a Lego Classicist”. Since then we have had an ongoing communication related to Lego and Classics so I felt it was very important to have him join the family properly (although I still think his nephew’s figure is better than mine). I sent his figure to him by mail at the University of Salerno and he received it a few days ago.

All three have responded in the same way that cannot be expressed in words but it is in the looks on their faces that you can see in the photos they send me with their figures. They have all been delighted. Of course, the Romans played a huge role in the development of much of modern culture, so it’s only fitting that there should be many Italian members of the Lego Classicists family in the future.

What is the message that you are trying to convey with your project?

I hope that Lego Classicists gives everyone an excuse to celebrate the ancient world and its study. It aims to help to join the community of international classicists together, to further highlight their work and to make classics and the ancient world more accessible to a wider audience. The real message - I hope - is the idea of serious play and bringing playful yet dignified new perspectives to the study of classical history.

The first Lego Classicist for 2020 is professor Giacomo Pardini from the University of Salerno. Could you please tell us if any other Italian classicist is going to join this great family?

I am in communication with one Italian classicist now whom I hope will join the Lego Classicists family soon and I have another one or two more in mind which will be revealed later.

What is the International Lego Classicism Day and how can we be involved?

LEGO CLASSICIST

 International Lego Classicism Day is a social media event I have been running since 2017 on the 20th of February, which is the Anniversary of Lego Classicists, and I like to use this date as a way to encourage everyone to celebrate, engage, and play with ancient history through Lego bricks.


Cambridge University Cambridge Digital LIbrary Heidelberg University medieval manuscripts

Cambridge and Heidelberg announce major project to digitise treasured medieval manuscripts

Cambridge and Heidelberg announce major project to digitise treasured medieval manuscripts

Hundreds of medieval and early modern Greek manuscripts – including classical texts and some of the most important treatises on religion, mathematics, history, drama and philosophy – are to be digitised and made available to anyone with access to the internet.

In a major collaboration announced today (March 28), Cambridge University Library, 12 Cambridge colleges, the Fitzwilliam Museum, Heidelberg University Library and the Vatican Library have come together as part of a two-year £1.6m project, funded by the Polonsky Foundation, to digitise more than 800 medieval manuscripts.

The project between two of Europe’s oldest universities, both renowned for their medieval collections, will see the digitisation of every medieval Greek manuscript in Cambridge and all those belonging to the Bibliotheca Palatina collection, split between Heidelberg and the Vatican. It will provide a unique insight into the chronological range of Greek manuscript culture, from the early Christian period to the early modern.

Dr Suzanne Paul, Keeper of Rare Books and Early Manuscripts at Cambridge University Library, said: “The Cambridge and Heidelberg collections bear witness to the enduring legacy of Greek culture – classical and Byzantine – and the lasting importance of Greek scholarship.

“The works of Homer and Plato were copied and recopied throughout the medieval period and the early biblical and liturgical manuscripts are profoundly important for our understanding of a Christian culture based on the written word.

“These multilingual, multicultural, multifarious works, that cross borders, disciplines and the centuries, testify to a deep scholarly engagement with Greek texts and Greek culture that both universities are committed to upholding.”

Once digitised, the Cambridge manuscripts will join the works of Charles Darwin, Isaac Newton, Stephen Hawking and Alfred Lord Tennyson on the Cambridge Digital Library. Since its launch in 2010 – with the digitisation of Newton’s Principia Mathematica making headlines around the world – the treasures of Cambridge’s Digital Library have been accessed more than 13.5 million times.

Dr Veit Probst, Director of Heidelberg University Library, said: “Numerous discoveries await. We still lack detailed knowledge about the production and provenance of these books, about the identities and activities of their scribes, their artists and their owners – and have yet to uncover how they were studied and used, both during the medieval period and in the centuries beyond. The meanings of the annotations and marginalia in the original manuscripts have yet to be teased apart. From such threads, a rich tapestry of Greek scholarship will be woven.”

With more than 38,000 volumes digitised to date, Heidelberg’s Digital Library has been visited by scholars and members of the public in 169 countries, outlining the global appetite for digital access to collections which would be impossible for most to access directly.

The current status of these collections presents significant challenges to scholars both in terms of cataloguing and conservation, with the medieval bindings of many manuscripts in a fragile state. The current catalogues for them date from the nineteenth century; many of those for the Cambridge manuscripts were written by the scholar M.R. James, Provost of King’s College, Cambridge, but best known for his ghost stories which remain popular to this day.
Of the Cambridge Greek manuscripts, around 210 are held at the University Library, 140 at Trinity College, and a further 60 spread across 11 other colleges and the Fitzwilliam Museum. Of the Bibliotheca Palatina Greek manuscripts, 29 are in Heidelberg and 403 are in the Vatican Library, having been transferred there from Germany as a spoil of war in 1623.

Dr Jessica Gardner, Cambridge University Librarian, said: “Opening up some of the most important Greek medieval manuscripts to not just scholars, but the widest possible audience, is another key milestone towards our goal of sharing Cambridge’s treasured collections with the world.

“I would like us to get to the stage where the University’s entire medieval collections are digitised. This project is testament to what can be achieved when Cambridge’s libraries, colleges and museums work in tandem – while at the same time building ever-closer relationships with a distinguished European research library like our own.”

Dr Leonard S. Polonsky CBE, Founding Chairman, The Polonsky Foundation said:“Our Foundation is proud to support this important collaboration between the ancient universities of Cambridge and Heidelberg, which represents a significant development for both institutions. For Heidelberg the project will complete the virtual reconstruction of the Palatine Library that is being carried out with the Vatican Library.

“For Cambridge it is the first phase of a collaboration among the University Library, Cambridge colleges and the Fitzwilliam Museum to digitise their collections of Western medieval manuscripts. Benefiting from the extraordinary opportunities afforded by digitisation, the project brings together the treasures of these great institutions and makes them available to researchers and the wider public in innovative and attractive ways."

Cambridge University Cambridge Digital LIbrary Heidelberg University medieval manuscriptsPress release from Cambridge University, by Stuart Roberts