Highest award from China's government for outstanding PhD research into ancient Chinese musical chime stones
A MUSIC archaeological study of ancient Chinese chime stones dating back to 2400BC to 8AD conducted by a PhD graduate from the University of Huddersfield has been deemed a remarkable achievement by the Chinese Government and has been conferred a coveted award.
Dr Xueyang Fang, from the city of Tianjin in north-eastern China, graduated this year with a PhD in music. Her extensive research, the first comprehensive study of its kind, has earned her the ‘Chinese Government Award for Outstanding Self-financed Students Abroad’ from the China Scholarship Council.
The award was set up in 2003 to honour overseas Chinese students with outstanding academic accomplishments and is the highest award Chinese Government can give to graduate students studying outside China. An estimated half a million Chinese students leave China to study abroad each year, making this prestigious award highly competitive.
“Only those with outstanding performance in their PhD studies are considered by the award selection panel and each year no more than 500 young talented researchers are granted this annual award,” said the China Scholarship Council’s Secretary-General, Sheng Jianxue.
“Xueyang Fang stood out from the competition and I would like to express my sincere gratitude for Professor Rupert Till’s support and conscientious supervision, which have contributed to her remarkable achievements,” he added.
A comprehensive and exhaustive analysis
Dr Fang’s thesis, supervised by Professor Rupert Till from the University’s Department of Music and Drama, is the first significant study of Chinese chime stones to be published in English and has created a new taxonomy, as well as collecting previous research published largely in Chinese.
On top of the comprehensive and exhaustive analysis of hundreds of specimens of chime stones, including their archaeological sites, periods and multiple categories of co-existent discoveries, Dr Fang’s fieldwork has produced a large amount of data that can be used for future research. This includes materials from Chinese museums and original sound recordings for analysis.
A journal article, written by Dr Fang in collaboration with Professor Till, explained how chime stones were often used in Royal court music performances, which were usually a combination of chime bells and other musical instruments and often represented high-ranking status in ancient Chinese society, especially in pre-imperial China.
Their cultural and ritual significance
In China, chime stones have important cultural and ritual significance and were significant enough to be buried with ruling people and so were a core symbol for social rank and authority.
“Burying these stones with this individual was clearly a significant act,” said Dr Fang, when referring to an excavation of nine chime stones found in an Eastern Zhou Tomb in Hebi, China between 2009 and 2010.
“Returning these stones to the ground has perhaps extra poignancy, in the knowledge that they have remained intact and indeed in tune, while their owner’s body has decomposed,” she added.
The European Music Archaeology Project (EMAP)
Dr Fang was initially prompted to pursue advanced study in the UK after reading numerous articles written by Professor Till, an affiliate of the European Music Archaeology Project (EMAP) and the Associate Dean International for the School of Music, Humanities and Media.
For the EMAP series, Professor Till recorded a wide range of ancient European instruments and investigated the acoustics of the places where they were once played. These included the Tombs of the Kings, a World Heritage Site in Cyprus and the Isturitz caves in France, where artefacts discovered included a pre-historic bone flute.
As a result of his research, she began to explore the journey of music archaeology with profound interest and says deciding to carry out her PhD at the University of Huddersfield, under Professor Till’s supervision, was the best decision she ever made.
Throughout her doctoral research Professor Till encouraged Dr Fang to take part in several international conferences, such as the 10th Symposium of the International Study Group for Music Archaeology (ISGMA) held in Wuhan, China, the University of New York’s 14th Music Iconography Conference and the 15th Symposium of the International Council for Traditional Music (ICTM) Study Group on Music Archaeology in Slovenia.
“Through participation of these conferences, not only did my experience and self-confidence increase, but I also gained greater interdisciplinary knowledge during my periods of study,” she said.
“To anyone who is wondering whether to come and study here at the University, I want to implore that my Alma Mater will provide the platform you need to succeed, whatever your plans for the future. I strongly recommend the University of Huddersfield for those who want to further their studies.”
Press release from the University of Huddersfield on the outstanding PhD research into ancient Chinese musical chime stones.
Cremation in the Middle East dates as far back as 7,000 B.C.
The gender of the human remains found inside a cremation pyre pit in Beisamoun, Israel remains unknown. What is known is that the individual was a young adult injured by a flint projectile several months prior to their death in spring some 9,000 years ago. Preserved due to it being buried, the pit represents the oldest proof of direct (1) cremation in the Middle East.
© mission Beisamoun
An international team lead by CNRS archaeo-anthropologist Fanny Bocquentin (2)with aid from PhD candidate Marie Anton and several experts in animal, plant, and mineral remains, discovered and studied the bones found inside the pyre. An analysis of the clay used to coat the inside of the pit showed the 355 bone fragments, some of which were burnt, were exposed to temperatures reaching 700°C. The position of the bones and the preserved joints seem to indicate the body was placed seated onto the pyre and was not moved during or after cremation.
© mission Beisamoun
Whether used as fuel, as ornamentation, or as a scent, siliceous traces indicated the presence of flowering plants, which made it possible to identify the season the person died. In addition to the exceptional pyre pit, the cremated remains of five other adults were discovered at the site. They dated back to the same period as burials whose traces were discovered among the ruins of abandoned dwellings.
The use of cremation indicates an evolution of the relationship to death in the region. The veneration of ancestors and lengthy funerary practices seem to have given way to shorter rituals. This could be evidence of a transition phase because, some two to three centuries later, the dead were no longer buried inside or near villages and their traces are much more difficult to find.
The study is based on joint archaeological digs completed between 2007-2016 by the CNRS, the French Ministry for Europe and Foreign Affairs and the Israel Antiquities Authority.
© mission Beisamoun
Emergence of corpse cremation during the Pre-Pottery Neolithic of the Southern Levant: A multidisciplinary study of a pyre-pit burial, Fanny Bocquentin, Marie Anton, Francesco Berna, Arlene Rosen, Hamoudi Khalaily, Harris Greenberg, Thomas C. Hart, Omri Lernau, Liora Kolska Horwitz. PLOS ONE, 12 August 2020. DOI : 10.1371/journal.pone.0235386
Notes
(1) The body was cremated directly, as opposed to other practices where dried exhumed bones were burnt.
(2) Member of the Prehistoric ethnology team at the Archéologies et sciences de l'Antiquité laboratory (CNRS/Université Paris 1 Panthéon-Sorbonne/Université Paris Nanterre/French Ministry of Culture). This study also involved a PhD candidate from the Eco-anthropologie laboratory (CNRS/Museum national d’Histoire naturelle) with support from the Centre de recherche français à Jérusalem (CNRS/French Ministry for Europe and Foreign Affairs/Aix-Marseille Université).
Press release from CNRS on the cremation pyre pit in Beisamoun, Israel, Middle East.
The Temple of Augustus: an artificial landscape in Surrey
The Temple of Augustus: How ruins from Libya became the focal point of an artificial landscape in Surrey
Walking around the artificial lake of Virginia Water, past the artificial cascade, you come across the ‘Temple of Augustus’, another artificial addition to the royal landscapes of Surrey. But how did these Libyan ruins come to make up part of the grounds of Windsor Great Park?
The city of Leptis Magna was founded in the 7th Century BC and rose to prominence in 193 AD under Emperor Septimius Severus who initiated a programme of enhancement through the provision of incredible docks, and a huge basilica complete with classical style columns. After his death in 211 the city began to decline, with the destructive tsunami of 365 and the invasion of the Vandals in the 5th Century.
1816, Hanmer Warrington arrived in Leptis Magna with friend, Augustus Earle. Only a few years earlier, Thomas Bruce, 7th Earl of Elgin had been hailed a hero by the British government on return from Greece with the stripped marble of the Parthenon, a response Warrington hoped to achieve with his presentation of the Leptis Magna ruins.
Louis XIV had taken 600 columns from the site and installed them in his palace in Versailles in the 17th century, whilst Rouen Cathedral and Abbey of Saint-Germain-des-Preps in Paris also sported Leptis columns.
Upon commissioning ships and creating an agreement with the Local Governor, Warrington came across resistance of the local Libyan people. Not a conservation effort, but a local quarrying issue, they defied the removal of the ruins. Cut stone had often been collected from these sites to aid building work whilst round columns were used as mill stones. They took to destroying the collected ruins as they were being loaded onto ships, leading to 3 columns still lying on the beach, having been abandoned by Warrington’s team.
After the destruction was accounted for, Warrington collected a vast collection made up of 25 pedestals, 15 marble columns, 22 granite columns, 10 capitals, 5 inscribed slabs and fragments of stone and sculpture. On arrival in Britain he was met with an unenthusiastic government who it is said were not ‘at all impressed or convinced of the value, either aesthetic or intrinsic, of the cargo.’
Having sat in the forecourt of the British Museum for 8 years, King George IV’s architect, Jeffry Wyatville expressed an interest in using them to create a folly in the grounds of Windsor Castle, which then stretched as far as Virginia Water.
Named the ‘Temple of Augustus’, possibly as a reference to the King’s full name, George Augustus Frederick, the site consisted of the 15 columns arranged in a semi-circle, and 2 parallel colonnades. Down the centre of the ruins ran a carriage road, allowing King George IV to pass under the road to Ascot. Wyatville placed fragments of cornices along the bridge mimicking an arch in a city wall.
Knowledge of the classics was important in high society, and the introduction of follies, ornamental ruins built to serve purely as landscape features, showed a level of class and sophistication. As William Gilpin, contemporary architect, noted about the importance of a fake authenticity, “if the ivy refuses to mantle over your buttress… you may as well write over the gate, Built in the year 1772.”
All pictures taken by Scout Newby.
Bibliography
An Unusual Gift (2018) <exploringsurreyspast.org.uk> [accessed 25th July 2020].
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Chambers, G.E., ‘The Ruins at Virginia Water’, Berkshire Archaeological Journal, Vol.54 (1954), pp.39-52.
Cooper, P., ‘How Ancient Roman Ruins Ended up 2,000 Miles Away in a British Garden’, The Atlantic, 10th January 2018.
Earle, A., ‘Watercolour of The Ruins at Lebida (Leptis Magna), near Tripoli’, (1793-1838), RCIN 917055 <rct.uk/collection> [accessed 23rd July 2020].
Gilpin, W., Observations on Several Parts of England relative chiefly to Picturesque Beauty (London; Strahan and Prefton, 1808), pp.69-75.
‘Sham Ruins’, Foll-e, Vol.45 (2012), pp.1-4.
Unknown, ‘The Leptis Magna ruins, Virginia Water’, (c.1865), RCIN 2923207 <rct.uk/collection> [accessed 22nd July 2020]
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Lane, A., ‘The Ruins of Virginia Water’, Libyan Studies (Cambridge; Cambridge University Press, 2004), pp.67-94.
First exhaustive analysis of use-wear traces on basalt tools from Olduvai
First exhaustive analysis of use-wear traces on basalt tools from Olduvai
The Centro Nacional de Investigación sobre la Evolución humana (CENIEH) has participated in an experimental study published recently in the journal Archaeological and Anthropological Sciences, on the possible uses of tools fashioned from basalts, volcanic rocks that are highly abundant at the Olduvai Gorge sites in Tanzania, through the first exhaustive analysis of the relationships between the petrological characteristics of this raw material and the formation of use-wear traces.
In addition to providing elements of great significance for interpreting human behavior at Olduvai Gorge, the results of this research led by the archaeologist Patricia Bello-Alonso furnish a model which will enable comparative studies for lithic industry assemblages in volcanic rocks from different archaeological and geological contexts to be conducted.
“The results we have obtained are a fundamental resource for analyzing the ways stone tools were used at the archaeological sites located in Beds I and II, in general, and at the Thiongo Korongo (TK) site in particular as, in this area, volcanic rocks are one of the key raw materials for the technological and, therefore, evolutionary development of the different hominin groups that occupied Olduvai more than two million years ago”, explains Bello-Alonso.
Reference Collection
The main objective of the research, in which the Museo de Ciencia Naturales and the Instituto de Evolución Humana en África in Madrid also participated, was to determine how traces are formed in basalts at both the macro and micro scales, to enable their use to be identified. To do so, non-retouched flakes were employed and a wide variety of organic materials was worked upon: animal carcasses, tubers, wood, grass, cane and fresh bone.
“Carrying out these operations has allowed us to compile an experimental reference collection for greater understanding of the role played by the internal and chemical structure of basalts in the formation and development of use-wear traces”, she adds.
This multidisciplinary study, financed by the Ministerio de Ciencia, Innovación y Universidades (HAR2013-45246-C3-2-P and HAR2017-82463-C4-2-P), under the auspices of The Olduvai Paleonthropology and Paleoecology Project (TOPPP) on the Acheulean site of TK, led by the researchers Joaquín Panera and Manuel Santonja, was conducted at the Prehistoric Technology and Archaeology Laboratory of the CENIEH and the Emiliano Aguirre camp, at Olduvai Gorge itself.
Full bibliographic information
The settlement of Europe could be the result of several immigration waves by a single population
The settlement of Europe could be the result of several immigration waves by a single population
The Dental Anthropology Group of the Centro Nacional de Investigación sobre la Evolución Humana (CENIEH), in collaboration with the paleoanthropologist Amélie Vialet of the Muséum National d’Histoire Naturelle (MNHN) in Paris, has just published a detailed external and internal study of the molars in the mandible from the French site of Montmaurin-La Niche in the Journal of Human Evolution, whose results strengthen the hypothesis that the settlement of Europe could have been the result of several waves of migration at different times by a common source population.
The aim in this paper, led by the researchers Marina Martínez de Pinillos (CENIEH) and Laura Martín-Francés (CENIEH and PACEA-University of Bordeaux), is to shed light on the origin of the Neanderthals. The latest data obtained from paleontological and geomorphological studies place the Montmaurin-La Niche mandible in a chronologically intermediate position between the fossils of the Middle Pleistocene and the Neanderthals.
The micro-computed axial tomography (microCT) technique has enabled the molars in this mandible to be compared with the external and internal structures of over 400 other molars from the European, Asian and African Pleistocene and Holocene.
This exhaustive metric and morphological analysis has revealed that, while the mandible is more closely related to African and Eurasian populations from the Early and Middle Pleistocene, the enamel and dentine morphology and pulp cavity proportions are similar to those in Neanderthals. “Nevertheless, the absolute and relative enamel thickness values (2D and 3D) show greater affinity with those exhibited by certain Early Pleistocene hominins”, says Martínez de Pinillos.
Possible hybridization
Over recent decades, finds of human fossil remains from the European Middle Pleistocene have prompted the debate on the evolutionary scenario of the genus Homo on that continent to be reopened. “The great variability we find among the European Middle Pleistocene fossils cannot be ignored in studying human evolution on our continent”, states Martín-Francés.
This variability in European Middle Pleistocene populations could indicate different migrations at different times and/or fragmentation of the population, thought it might also be due to possible hybridization between residents and new settlers.
Full bibliographic information
3D reconstructions of boats from the ancient port of Rome
Today, Fiumicino in Italy is a busy airport, but 2,000 years ago this area was filled with boats – it was a large artificial harbour only a stone’s throw from the ancient port of Rome (Ostia). To tie in with the opening of the site’s newly refurbished museum, Giulia Boetto, a CNRS researcher at the Camille Jullian Centre (CNRS/Aix-Marseille Université), has coordinated 3D reconstructions of three of the wooden boats found at Fiumicino.
These boats, in use between the 2nd and early 5th centuries AD, were abandoned in the port when they became outdated. At which time, they became waterlogged and covered with a layer of sediment. These oxygen-free conditions enabled the boats to survive until they were excavated, almost 60 years ago. Recovered and initially housed in the museum, which required major structural work, these wooden remains were documented using state-of-the-art digital survey techniques, then analysed and reconstructed in 3D, thanks to Boetto's expertise in naval archaeology.
The researcher also called on Marseille-based start-up Ipso Facto to create 3D models of the remains and on her colleague Pierre Poveda, a CNRS research engineer in the same laboratory, to restore the missing parts using archaeological comparisons and iconographic representations. By the end of the year, these 3D reconstructions will be housed at the new Roman Ship Museum in the Archaeological Park of Ancient Ostia.
This exhibition will enable visitors to discover ancient boat construction techniques and what life was like on board these Roman vessels. It will also allow them to virtually navigate in what was the most important Mediterranean port complex during the Roman Empire.
A video of the fishing boat's 3D reconstruction is available here.
Press release from CNRS (Délégation Paris Michel-Ange)
New findings on the Byzantine necropolis Tell es-Sin in Syria
New findings on the Byzantine necropolis Tell es-Sin in Syria
A study published in the journal Bioarchaeology of the Near East reveals the features of the population that was buried in the necropolis of Tell es-Sin in Syria, a Byzantine archaeological site dating from the 5th to 7th centuries AC. located in the left side of the Euphrates River. The principal researchers of the new anthropological study on Tell es-Sin -in the middle of a transit area for the ancient Byzantine forces and the Persian Sassanids- are Laura Martínez, from the Faculty of Biology of the University of Barcelona, and Ferran Estebaranz-Sánchez, from the Faculty of Biosciences of the Autonomous University of Barcelona.
Other participants are the researcher Juan Luis Montero-Fenollós, lecturer from the University of la Coruña and director of the excavation project in the site of Tell es-Sin, and other experts from Maison de l’Orient et de la Méditerranée (France), the Yarmouk University (Jordan) and the Mykolas Romeris University (Lithuania).
Ancient Syria’s Hill of Teeth
The site of Tell es-Sin -from Arabic “Hill of Teeth”- covers an area of twenty-five hectares is divided into the acropolis, the lower town, and necropolis -which covers seven hecctares. It is in the south-eastern of the current city of Deir ez-Zor -frontier between Syria and Iraq- and it is considered a kastron, that is, a place with administrative and military functions. Both the size and urban structure of the site and its fortified nature suggest it would have been an ancient polis whose ancient name is still unknown.
Tell es-Sin represents one of the most important necropolis from the Fertile Crescent to the Near East, but authors say “it is still very much unknown”. The new study wants to focus on the knowledge of frontier populations in the Byzantine Empire during the 6th-7th centuries, a period in which necropolis and skeleton remains are not abundant.
A fortification in the middle of the military Near East
“Mesopotamia was a strategic defensive area regarding the entrances and invasions from the Persians and the Arabians. In this context, Tell es-Sin could have been affected by the territorial and military reorganization by the emperor Justinian, who promoted fortifications of lime populations in the middle of the 6th century”, notes Laura Martínez, lecturer at the Department of Evolutionary Biology, Ecology and Environmental Sciences at the Faculty of Biology, and first author of the study.
The first archaeological excavations of the Byzantine necropolis of Tell es-Sin date from 1978 and were led by Asad Mahmoud, general director of Antiquities and Museums in Deir ez-Zor at the moment. In 2005, the study of the first Syrian-Spanish archaeological mission -coordinated by the University of la Coruña- highlighted the relevance of the necropolis of Tell es-Sin, which was part of the Eastern limes Diocletianus together with Tell es-Kasra and Circesium (current Buseira). The experts identified a total of 170 hypogea in a necropolis that could have about one thousand tombs.
Tombs and Byzantine archaeology in Syrian territory
As Ferran Estebaranz-Sánchez notes, “samples from Tell es-Sin represent an heterogeneous and biased series of skeleton remains corresponding to tombs that were sacked during the years. This anthropological study wanted to provide information on the sex, age of death, height and other morphological variables of the excavated individuals in the site using traditional biometrics”.
The analysed sample -only a small part out of the total burials in Tell es-Sin -includes human remains from ten excavated hypogea in the Syrian-Spanish mission. A total of 71 individuals were analysed (at least, eighteen would correspond to men, and twelve to women).
According to the experts, they did not observe bias regarding sex or age in the studied remains, and they highlight the lack of children compared to other areas (they could have been buried in other niches in the entrance of the tomb). Likewise, there is at least between one and five individuals buried inside every niche (the average is three bodies per niche, including sub-adults and adults), according to the model of collective burial typical from ancient Syria.
Despite the fragmented state of the remains, the team could estimate the height of most individuals. “The average height we estimate considering the upper long bones is 174.5 for men and 159.1 for women. These figures are similar to those estimated with the diameter of the femur head: 176.1 cm for males and 164.5 for females”, notes Estebaranz Sánchez.
“In conclusion -he continues-, the estimated height for the Byzantine population in Tell es-Sin is similar to other contemporary Byzantine populations”.
About 25% of the individuals presented cribra orbitalia and 8.5% of porotic hyperostosis, alterations in brain bones associated to anaemia or lack of iron or vitamins, rickets, infection and other inflammatory conditions.
The prevalence of degenerative joint diseases was low, according to the study. Regarding dental samples, about 2.8% of teeth presented caries, lower figures compared to other contemporary byzantine sites in the area that could be related to a low sample analysed in Tell es-Sin.
Tell es-Sin: the end of a site with the arrival of Islam
The end of the site of Tell es-Sin -in the first quarter of the 7th century AC- coincided with the wars against the Persian Sassanids and Islamic Arabian tribes. Despite the conditions of the site of Tell es-Sin and the current situation -after the ISIS occupation- the discovery and excavation of graves that were not sacked is essential to study the knowledge of this population.
“This is why we are now analysing the buccal microstriations to infer the diet of the population and therefore complete the biocultural model of frontier populations with great ancient empires”, conclude Laura Martínez and Ferran Estebaranz Sánchez.
Article reference:
Martínez, L. M.; Estebaranz-Sánchez, F.; Khawam, R.; Anfruns, J.; Alrousan, M.; Pereira, P.; Pérez-Pérez, A.; Montero-Fenollós, J. L. “Human remains from Tell es-Sin, Syria, 2006-2007”. Bioarchaeology of the Near East, April, 2020.
Press release from the University of Barcelona
An army of Lego Classicists is ready to conquer social networks
Adults and children alike, they know LEGO; however, the enthusiasts of the classical world in particular should take advantage of social networks and not lose sight of the LEGO CLASSICIST project. The project was conceived from an idea of Liam D. Jensen, aka The Lego Classicist, an Australian archivist. An army of classicists is now conquering the web and the scholars of the ancient world as well, thanks to a perfect mix of pop art and ancient history.
As revealed by Liam himself, everything started by chance. The idea of recreating the Classics via the LEGO bricks surpassed all expectations. It has been a celebration of the ancient world and, above all, of the work of many scholars that love their job and allow us to know history and archaeology as much as possible, even if they have been working for different organisations and in different fields. Liam uses social networks in an innovative and inclusive way, and announces a new member of the LEGO Classicist family from time to time.
In a short time, and thanks to the crowd of people being intrigued by the initiative, the project has become an international one. The power of communication also goes through gaming and the capability of breaking down barriers, which is typical of the renowned LEGO figures: they have gained such a huge popularity worldwide because they are able to create scenarios and adventures that are always fresh and diverse. Many important public figures joined the LC family, among them there is Mary Beard, whose minifigure has become viral to the point that even the BBC talked about that, and she also appeared on the prestigious German archaeology journal Antike Welt, on SALON, the newsletter of the Society of Antiquaries of London, and at the University of Cambridge. Mary Beard herself then used her minifigure during her tv show, Front Row Late.
Presently, Italy may boast three LEGO minifigures, based on important scholars: Alessandra Giovenco, an archivist from the British School at Rome, professor Massimo Osanna, archaeologist and general director at the Archaeological Park of Pompeii, and professor Giacomo Pardini, an archaeologist and numismatist, professor at the University of Salerno. Therefore we asked Liam, so that he may tell us more about his project and on the subject of some of the most significant characters involved.
When and how was the Lego Classicists Project conceived?
The first Lego figure that went on social media was on the 20thFebruary 2016, but it was not until there were over 3 figures that I came up with the name Lego Classicists and made a Facebook page for them. That was really when it was born.
How many classicists does it include? Are there various or unique types or scholarly specialisations being included?
There are now over 90 in the LC family and I mostly choose scholars directly in the classical discipline but I also like to push outside of these to other ancient world disciplines (such as Egyptian) and I include anyone whom I feel brings support to the study of history, such as Conservators, Librarians and Archivists.
Who was your first character?
Technically the first figure who was made almost by chance is Dr. Tom Hillard, who is a Roman historian and an old friend of the family. But the one who - for the first time - made me start creating them on purpose was Michael Turner, who was the curator and master-mind of the three famous Lego ancient world models that include Lego Pompeii and Lego Colosseum, so I consider Michael to be the first official figure, as he is the real inspiration for the Lego Classicists family.
Starting from Australia, you conquered the world of classicists. Would you have expected such a great interest?
I had absolutely no idea that it would reach the world like this as it really started as just gifts to my friends, but I am so pleased to be inspiring the whole world of Classics in this fun new way.
Italy is being represented by three characters. Could you please tell us about them?
Prof. Massimo Osanna’s figure was a request by the Nicholson Museum, Sydney University, when they asked me to make a personal gift for Prof. Osanna and a second one to be placed into the Lego Pompeii model that is still in the Museum today. It was delivered to Prof. Osanna in person at Pompeii by two academics from the University of Sydney.
Alessandra Giovenco is the Archivist at the British School at Rome and I had the very great pleasure of meeting her in my role as an archivist when I delivered a collection to the BSR in 2016. Our daily conversations together inspired me to bring her into the LC family and I asked the Director of the British School at Rome to give it to her in person on my behalf.
Professor Giacomo Pardini had tagged me into a photo with a Lego figure of himself made by his nephew with the words “Almost a Lego Classicist”. Since then we have had an ongoing communication related to Lego and Classics so I felt it was very important to have him join the family properly (although I still think his nephew’s figure is better than mine). I sent his figure to him by mail at the University of Salerno and he received it a few days ago.
All three have responded in the same way that cannot be expressed in words but it is in the looks on their faces that you can see in the photos they send me with their figures. They have all been delighted. Of course, the Romans played a huge role in the development of much of modern culture, so it’s only fitting that there should be many Italian members of the Lego Classicists family in the future.
What is the message that you are trying to convey with your project?
I hope that Lego Classicists gives everyone an excuse to celebrate the ancient world and its study. It aims to help to join the community of international classicists together, to further highlight their work and to make classics and the ancient world more accessible to a wider audience. The real message - I hope - is the idea of serious play and bringing playful yet dignified new perspectives to the study of classical history.
The first Lego Classicist for 2020 is professor Giacomo Pardini from the University of Salerno. Could you please tell us if any other Italian classicist is going to join this great family?
I am in communication with one Italian classicist now whom I hope will join the Lego Classicists family soon and I have another one or two more in mind which will be revealed later.
What is the International Lego Classicism Day and how can we be involved?
International Lego Classicism Day is a social media event I have been running since 2017 on the 20th of February, which is the Anniversary of Lego Classicists, and I like to use this date as a way to encourage everyone to celebrate, engage, and play with ancient history through Lego bricks.
Archaeologists find Bronze Age tombs lined with gold near the Griffin Warrior
Archaeologists find Bronze Age tombs lined with gold
The family tombs are near the 2015 site of the 'Griffin Warrior,' a military leader buried with armor, weapons and jewelry.
Archaeologists with the University of Cincinnati have discovered two Bronze Age tombs containing a trove of engraved jewelry and artifacts that promise to unlock secrets about life in ancient Greece.
The UC archaeologists announced the discovery Tuesday in Greece.
Jack Davis and Sharon Stocker, archaeologists in UC's classics department, found the two beehive-shaped tombs in Pylos, Greece, last year while investigating the area around the grave of an individual they have called the "Griffin Warrior," a Greek man whose final resting place they discovered nearby in 2015.
Like the Griffin Warrior's tomb, the princely tombs overlooking the Mediterranean Sea also contained a wealth of cultural artifacts and delicate jewelry that could help historians fill in gaps in our knowledge of early Greek civilization.
UC's team spent more than 18 months excavating and documenting the find. The tombs were littered with flakes of gold leaf that once papered the walls.
"Like with the Griffin Warrior grave, by the end of the first week we knew we had something that was really important," said Stocker, who supervised the excavation.
"It soon became clear to us that lightning had struck again," said Davis, head of UC's classics department.
The Griffin Warrior is named for the mythological creature -- part eagle, part lion -- engraved on an ivory plaque in his tomb, which also contained armor, weaponry and gold jewelry. Among the priceless objects of art was an agate sealstone depicting mortal combat with such fine detail that Archaeology magazine hailed it as a "Bronze Age masterpiece."
Artifacts found in the princely tombs tell similar stories about life along the Mediterranean 3,500 years ago, Davis said. A gold ring depicted two bulls flanked by sheaves of grain, identified as barley by a paleobotanist who consulted on the project.
"It's an interesting scene of animal husbandry -- cattle mixed with grain production. It's the foundation of agriculture," Davis said. "As far as we know, it's the only representation of grain in the art of Crete or Minoan civilization."
Like the grave of the Griffin Warrior, the two family tombs contained artwork emblazoned with mythological creatures. An agate sealstone featured two lion-like creatures called genii standing upright on clawed feet. They carry a serving vase and an incense burner, a tribute for the altar before them featuring a sprouting sapling between horns of consecration, Stocker said.
Above the genii is a 16-pointed star. The same 16-pointed star also appears on a bronze and gold artifact in the grave, she said.
"It's rare. There aren't many 16-pointed stars in Mycenaean iconography. The fact that we have two objects with 16 points in two different media (agate and gold) is noteworthy," Stocker said.
The genius motif appears elsewhere in the East during this period, she said.
"One problem is we don't have any writing from the Minoan or Mycenaean time that talks of their religion or explains the importance of their symbols," Stocker said.
UC's team also found a gold pendant featuring the likeness of the Egyptian goddess Hathor.
"Its discovery is particularly interesting in light of the role she played in Egypt as protectress of the dead," Davis said.
The identity of the Griffin Warrior is a matter for speculation. Stocker said the combination of armor, weapons and jewelry found in his tomb strongly indicate he had military and religious authority, likely as the king known in later Mycenaean times as a wanax.
Likewise, the princely tombs paint a picture of accumulated wealth and status, she said. They contained amber from the Baltic, amethyst from Egypt, imported carnelian and lots of gold. The tombs sit on a scenic vista overlooking the Mediterranean Sea on the spot where the Palace of Nestor would later rise and fall to ruins.
"I think these are probably people who were very sophisticated for their time," she said. "They have come out of a place in history where there were few luxury items and imported goods. And all of a sudden at the time of the first tholos tombs, luxury items appear in Greece.
"You have this explosion of wealth. People are vying for power," she said. "It's the formative years that will give rise to the Classic Age of Greece."
The antiquities provide evidence that coastal Pylos was once an important destination for commerce and trade.
"If you look at a map, Pylos is a remote area now. You have to cross mountains to get here. Until recently, it hasn't even been on the tourist path," Stocker said. "But if you're coming by sea, the location makes more sense. It's on the way to Italy. What we're learning is that it's a much more central and important place on the Bronze Age trade route."
The princely tombs sit close to the palace of Nestor, a ruler mentioned in Homer's famous works "The Iliad" and "The Odyssey." The palace was discovered in 1939 by the late UC Classics professor Carl Blegen. Blegen had wanted to excavate in the 1950s in the field where Davis and Stocker found the new tombs but could not get permission from the property owner to expand his investigation. The tombs would have to wait years for another UC team to make the startling discovery hidden beneath its grape vines.
Excavating the site was particularly arduous. With the excavation season looming, delays in procuring the site forced researchers to postpone plans to study the site first with ground-penetrating radar. Instead, Stocker and Davis relied on their experience and intuition to focus on one disturbed area.
"There were noticeable concentrations of rocks on the surface once we got rid of the vegetation," she said.
Those turned out to be the exposed covers of deep tombs, one plunging nearly 15 feet. The tombs were protected from the elements and potential thieves by an estimated 40,000 stones the size of watermelons.
The boulders had sat undisturbed for millennia where they had fallen when the domes of the tombs collapsed. And now 3,500 years later, UC's team had to remove each stone individually.
"It was like going back to the Mycenaean Period. They had placed them by hand in the walls of the tombs and we were taking them out by hand," Stocker said. "It was a lot of work."
At every step of the excavation, the researchers used photogrammetry and digital mapping to document the location and orientation of objects in the tomb. This is especially valuable because of the great number of artifacts that were recovered, Davis said.
"We can see all levels as we excavated them and relate them one to the other in three dimensions," he said. UC's team will continue working at Pylos for at least the next two years while they and other researchers around the world unravel mysteries contained in the artifacts.
"It has been 50 years since any substantial tombs of this sort have been found at any Bronze Age palatial site. That makes this extraordinary," Davis said.
Press release from the University of Cincinnati, by Michael Miller.
Long-distance timber trade underpinned the Roman Empire's construction
Long-distance timber trade underpinned the Roman Empire's construction
The ancient Romans relied on long-distance timber trading to construct their empire, according to a study published December 4, 2019 in the open-access journal PLOS ONE by Mauro Bernabei from the National Research Council, Italy, and colleagues.
The timber requirements of ancient Rome were immense and complex, with different types of trees from various locations around the Roman Empire and beyond used for many purposes, including construction, shipbuilding and firewood. Unfortunately, the timber trade in ancient Rome is poorly understood, as little wood has been found in a state adequate for analysis. In this study, Bernabei et al successfully date and determine the origin and chronology of unusually well-preserved ancient Roman timber samples.
The twenty-four oak timber planks (Quercus species) analyzed in this study were excavated during Metro construction in Rome during 2014-2016. They formed part of a Roman portico in the gardens of via Sannio (belonging to what was once a lavishly decorated and rich property). The authors measured the tree-ring widths for each plank and ran statistical tests to determine average chronology, successfully dating thirteen of the planks.
By comparing their dated planks to Mediterranean and central European oak reference chronologies, the authors found that the oaks used for the Roman portico planks were taken from the Jura mountains in eastern France, over 1700km away. Based on the sapwood present in 8 of the thirteen samples, the authors were able to narrow the date these oaks were felled to between 40 and 60 CE and determined that the planks all came from neighboring trees. Given the timber's dimensions and the vast distance it travelled, the authors suggest that ancient Romans (or their traders) likely floated the timber down the Saône and Rhône rivers in present-day France before transporting it over the Mediterranean Sea and then up the river Tiber to Rome, though this cannot be confirmed.
The authors note that the difficulty of obtaining these planks--which were not specially sourced for an aesthetic function but used in the portico's foundations--suggests that the logistical organization of ancient Rome was considerable, and that their trade network was highly advanced.
Bernabei notes: "This study shows that in Roman times, wood from the near-natural woodlands of north-eastern France was used for construction purposes in the centre of Rome. Considering the distance, calculated to be over 1700km, the timber sizes, [and] the means of transportation with all the possible obstacles along the way, our research emphasises the importance of wood for the Romans and the powerful logistic organisation of the Roman society."
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Citation: Bernabei M, Bontadi J, Rea R, Büntgen U, Tegel W (2019) Dendrochronological evidence for long-distance timber trading in the Roman Empire. PLoS ONE 14(12): e0224077. https:/
Funding: WT received funding from the German Research Foundation (DFG, TE 613/3-2). UB received funding from the Czech Republic Grant Agency (17-22102s).
Competing Interests: The authors have declared that no competing interests exist.
Press release from the Public Library of Sciences.
