Archaeology: Owl-shaped plaques may have been on Copper Age children’s wish list

Ancient owl-shaped slate engraved plaques, dating from around 5,000 years ago in the Iberian Peninsula, may have been created by children as toys, suggests a paper published in Scientific Reports. These findings may provide insights into how children used artefacts in ancient European societies.

Around 4,000 engraved slate plaques resembling owls – with two engraved circles for eyes and a body outlined below – and dating from the Copper Age between 5,500 and 4,750 years ago have been found in tombs and pits across the Iberian Peninsula. It has been speculated that these owl plaques may have had ritualistic significance and represented deities or the dead.

Archaeology: Owl-shaped plaques may have been on Copper Age children’s wish list children Iberian peninsula
Owl-shaped plaques may have been on Copper Age children’s wish list. Selected plaques engraved in the Chalcolithic period in the southwestern portion of the Iberian Peninsula. These examples provide a glimpse of the different typologies and materials used (not at scale). (a) Slate plaque from Cerro de las Cabezas, Valencina de la Concepción, Sevilla, Spain (Museo Arqueológico de Sevilla, REP25837). (b) Slate plaque from anta do Curral da Antinha, Arraiolos, Evora, Portugal (Museu Nacional de Arqueologia de Portugal [MNA], Lisboa, 2003.37.1). (c) Slate plaque from anta 1 da Farisoa, São Marcos do Campo, Reguengos de Monsaraz, Evora, Portugal (MNA, Lisboa, 32300). (d) Slate plaque with carved head from anta da Marquesa, Marvão, Portalegre, Portugal (MNA, Lisboa, 8195). (e) Slate plaque from anta Grande do Olival da Pega, Reguengos de Monsaraz, Evora, Portugal (MNA, Lisboa, 985.45.21). (f) Slate plaque from anta Grande do Olival da Pega, Reguengos de Monsaraz, Evora, Portugal (MNA, Lisboa, 985.45.15). (g) Sandstone plaque from anta da Horta, Alter do Chão, Portoalegre, Alentejo, Portugal (Museu da Coudelaria de Alter, Portugal, AH 197). (h) Oculated idol carved on proximal phalanx of ungulate from Huerta de Dios, Casas de Reina, Badajoz, Spain (Museo Arqueológico Provincial de Badajoz, 11425). Picture by Negro, J.J., Blanco, G., Rodríguez-Rodríguez, E. et al., CC BY 4.0
Now, Juan Negro and colleagues re-examined this interpretation and suggest instead that these owl plaques may have been crafted by young people based on regional owl species, and may have been used as dolls, toys, or amulets. The authors assessed 100 plaques and rated them (on a scale of one to six) based on how many of six owl traits they displayed including two eyes, feathery tufts, patterned feathers, a flat facial disk, a beak, and wings. The authors compared these plaques to 100 modern images of owls drawn by children aged 4 to 13 years old, and observed many similarities between the depictions of owls. Owl drawings more closely resembled owls as children aged and became more skilful.

The authors observe the presence of two small holes at the top of many plaques. These holes appear impractical to pass a cord through in order to hang the plaque, and lack the expected lack wear-marks if this was their use. Instead they speculate that feathers could be inserted through the holes in order to resemble the tufts on the heads of some regional owl species, such as the long-eared owl (Asio otus).

The authors propose that, rather than being carved by skilled artisans for use in rituals, many of the owl plaques were created by children, and more closely resembled owls as the children’s carving skills increased. They may represent a glimpse into childhood behaviours in Copper Age societies.

Bibliographic information:

Negro, J.J., Blanco, G., Rodríguez-Rodríguez, E. et al. Owl-like plaques of the Copper Age and the involvement of children. Sci Rep 12, 19227 (2022). https://doi.org/10.1038/s41598-022-23530-0

Press release from Scientific Reports on the Owl-shaped plaques that may have been on Copper Age children’s wish list and created by them.

Dove i classici si incontrano. ClassiCult è una Testata Giornalistica registrata presso il Tribunale di Bari numero R.G. 5753/2018 – R.S. 17. Direttore Responsabile Domenico Saracino, Vice Direttrice Alessandra Randazzo. Gli articoli a nome di ClassiCult possono essere 1) articoli a più mani (in tal caso, i diversi autori sono indicati subito dopo il titolo); 2) comunicati stampa (in tal caso se ne indica provenienza e autore a fine articolo).

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